We seek for the unknown, the unpredictable, the genuine, and the obsessively-creative-driven.
“All senses, including vision, are extensions of the tactile sense; the senses are specialisations of skin tissue, and all sensory experiences are modes of touching and thus related to tactility. Touch is sensory mode that integrates our experience of the world with that ourselves.” – Juhani Pallasma, 2008
Menangkap apa-apa, dimana-mana, dan sebagaimana adanya
Liza Markus (b. 1995, Jakarta) is an Indonesian art practitioner trained as a sculptor at Nanyang Academy of Fine Arts. … More
Galih Adika Paripurna (b. Serang, 1994) graduated from the Painting Studio, Fine Arts Program, Bandung Institute of Technology. People, language … More
‘Kerning’ adalah bentuk apresiasi terhadap negative space, yang dikaitkan Galih dengan latar semesta domestik dan praktik kerja ingatan. Karya-karya dalam pameran ini dikonstruksi dengan meminjam kenangan dari berbagai sumber tanpa mencari tahu konten atau konteks dari citraan tersebut karena pertanyaan yang disematkan Galih bukanlah “Itu ingatan tentang apa?” tetapi “Apa itu ingatan?”
RUBANAH Underground Hub wishes to not remain underground forever. Occasionally, RUBANAH hosts programs in OFFSIDE places. In collaboration with Creativite, “Melintas Arus” is our second OFFSIDE program.
Why dream? What’s the point of morning? Why do we have to sleep? Why do children have to be wooed to sleep in a melodious tone? How long should we sleep? Where do we sleep? Who do we sleep with? Is this allure to sleep a metaphor? For what, for whom?
by Alif Ibrahim ❦ Rain has finally fallen in Jakarta this past month, alleviating the drought that has stricken the … More
“Merah ini bukan sadja merah warna revolusi jang sekarang sudah tidak tahu merahnja lagi, bukan pula merah darah pembunuhan, tapi djuga merah tjinta.” — Kedjatuhan dan Hati, 1950
R.E. Hartanto (Tanto), (b. Bandung, 1973) received formal training in Fine Arts from the Painting Studio, Faculty of Fine Arts … More
